, ,Chian’s ,cosmology . .14 .Chinese .To 1. 1.1 1.1Traditional 1.2 1.2Dominated 15 1．Material 2. 2.1 2.1Chinese 2.2 2.2Western 2.Layout 3. 3000 4. 4.Differences : ; Abstract Abstract(Chinese)…………………………………………………………………………iii Abstract(English)…………………………………………………………………………ii According Acknowledgements……………………………………………………………………………i Against Architectural Architecture Arts As B, Between Both Building But Cassirer China China’s Chinese Christianity Coherence” College Contents Contents………………………………………………………………………………………iv Context Culture; Develop Difference Different Dominated Eastern Engels Europe European First For Foreign German Greek Hainan I Importance In It Japan Keywords Korea Languages Last Layout Li Liberal Liling Long-term Mainly Man” Material Middle Miss Mr. Mrs Over Powerful Reference References Rome School Since Strone Systern Technology Text The Therefore Therefore, This Traditional University Unlike West Western Westerners Whatever Without Zehou a about achieved acknowledge acknowledgements activities activity addition advocationg aesthetic aesthetics affect affected affirmation agriculture-based all all, along also always am ancient and appearance approaches architectual architectural architecture architecture, are arguments around arrangement art artistic arts as assistance at attention attitudes aware, axis balanced based be beauty because been beginning beings benefited better between both bow brilliant bring brings broadens buddhism building building, but by can cannot capital care cause center century certain certainly chance change changing character characteristics characterized charateristics charge choice church citizens city civil civilization classical climax close closed colleagues, collection community compliance comprehensive concentrated concept concepts concerned confucianism confusion connected conservative construction construction………………………………………vi constructive contains continuous core corresponding countries course create created crystallization cultural culture culture, deal. deep deeply democracy democratic designed determine developed development devotes difference difference, differences differences……………………………………………………………………v different directed diverse divine division down due e each early earnest economy effort ehics embodies emphasis emphasized encouragement encouragement, end enlarges enlightening enormous enough entered entire environment environment, epic especially etc. ethical evolution export-oriented express expression facades factors features fedual fellows feudal five flat for forces form form. formation forms four frame free freedom friends from fruitful full general generally geners give gods, good grateful gratitude great ground group groups guidance has have he heartiest help her her. here herself high highlight his history home homes how huge human humble hunt ideas image. impact implementation importantly improve in independent individual individual, individuality influenced inspace intense interaction into is it it. its kind know layout leading least led life light like lines linguists literature load-beraing logic long longitudinal lords love made main man manager, manner many masculintu masters material material; 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subtle success such suggestions supervisor, support suppression swing symmetrical system take taken tendency texture than thank thanks that the their them themes there these thesis thesis, thesis. this those three throne through thus ties times to topic, towards traditional trainer training turn turns twists two uaually unchanged understanding unique unity universe unlike until use used valuable values values…………………………………………………….vii variety various very views views. vision. wall was way we weak weight western which who whole wisdon with within wood wood-based wooden word wordlu words world worship would writing “Essay “Situational “the ………………………………………………………...v ………………………………………………………………………………….ix ………………………………………………………………………………………v 关键词：材料;布局;传统观念;审美观念 建筑是一门综合性艺术，是一部凝固了的史诗。无论古今中外，建筑都是人类物质文明和精神文明的一种空间文化形态。建筑表达着一定的人生观、宇宙观、审美观，因而既是时代特征的综合反映，也是民族文化的集中体现。中西建筑形式上的差别，是文化差别的表现。它反映了物质和自然环境的差别、社会结构形态的差别、人的思维方式的差别以及审美境界的差别。 摘要 李强.(2009).中外建筑史.北京:北京理工大学出版社. 梁思成.(2005).中国建筑史.天津:百花文艺出版社. 王其钧.(2010).外国古代建筑史.湖北:武汉大学出版社. 王鲁民.(2002).中国古代建筑思想史纲.湖北:湖北教育出版社. 陈志华.(2002).外国古建筑二十讲.三联书店.